A play showing Italian womens’ perspective of historical migration to Scotland.
A Bench on the Road is the result of a research commissioned in 2013 by the University of Edinburgh under the Italian-Scottish Research Cluster project (ISRC). The script, written by Laura Pasetti, is based on archival items held by the ISRC, such as recorded interviews and other personal documents, regarding and involving women.
The play tells the stories of six women from 1850 to 1950. This is the period of global Italian migration as 25 million Italians left their country between political unification and the post WWII economic boom, one of the largest human migrations to date. Many thousands made their home in Scotland, especially since the 1880s, with further migration peaks around the World Wars and rise of Fascism, generating one of the most successful socio-economic integrations on record. The play analyses the whole range of issues arising from this important phenomenon, from the perspective of women, focusing on their key role in migration and integration from 1850 to 1950, the period of highest Italian immigration in this country.
The Italo-Scottish community constitutes a large and vibrant ethnic group in Scotland. Italians have contributed to the development of Scotland’s identity through time and history. Three Italian Scottish and three Scottish actresses were involved in this development. Traditional Italian and Scottish songs are explored. A Bench on The Road shows the result of the development period of physical research led by two masters of physical theatre, Andrzej and Teresa Welminski, former actors of the internationally acclaimed theatre company Cricot 2 funded by Tadeusz Kantor.
A Bench on The Road is a project founded by Creative Scotland, in co-production with the Piccolo Teatro di Milano – Teatro d’Europa and with the collaboration of the Italian Cultural Institute of Edinburgh.
“This ambitious new piece of theatre, written and directed by Laura Pasetti, is something of a breath of fresh air, offering an exclusively female perspective on Italian-Scottish immigration over the course of a turbulent century… Pasetti addresses this prescient issue with a marked lightness of touch, drawing fine performances from her cast and interweaving the gloomier, sadder passages with infectious, exuberant song-and-dance numbers, all set to wonderful live accordion accompaniment”. – THE TIMES (read more)
“The cast deserve a tremendous amount of praise as we got a massive amount of high energy exchanges along with direction that favoured image and spectacle to back up the script. The script, half Italian and half English/Scots was fantastic”. – THE FRINGE REVIEW – SCOTLAND 2016 (read more)